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Screenwriting

Movies and TV

Eyewitness This

Amanda Brugel as Sita Petronelli in EYEWITNESS episode 101 (Photo by: Christos Kalohoridis/USA Network)

EYEWITNESS Episode 101 “Buffalo ’07” Pictured: Amanda Brugel as Sita Petronelli (Photo by: Christos Kalohoridis/USA Network)

I’ve spent the last year of my life writing and producing this television series, which debuts tonight at 10 p.m. on USA Network. Because I know you care (and because I know you’ll downright love it), here is a sneak peek at the first 12 minutes of the show. So much sweat, blood, and tears have gone into these 12 minutes, and the story, cast, and crew you’ll get a taste of here are so damn fabulous that they even inspired me to relocate to Canada for five months. I apologize in advance for the way they’re going to get you hooked. If you want a little reading to tide you over before the episode airs tonight, I highly recommend sinking your teeth into The Advocate’s review of EYEWITNESS, which not only reminds me of everything we were aspiring to do with the show but has made me fall in love with what I thought was the lost art form of critical review essays. Enjoy…

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Inspiring Tidbits

Trouble for Women

Stack of Nora Ephron books photographed by Shelly Gross

It still boggles my mind that one of the most inspiring and influential female voices of our time, Nora Ephron, died last week. Not so long ago I would have quickly deleted that word “female,” thinking it was an insult to any artist to qualify her/his greatness by a gender, but now that I’ve spent a good deal of time pondering what Ephron’s work has meant to me, I realize celebrating the femaleness of all she leaves behind is actually a great compliment. After all, Ephron spent her career fighting her way to the top of some very male industries just so she could tell stories about women, for women, and by women. The femaleness of her blockbuster movies, such as “When Harry Met Sally,” “Sleepless in Seattle,” and “Julie & Julia” has in fact drawn women and their dates to theaters for decades, and these stories hold a very prominent place in the romantic ideals of me and almost every other gal I know. As an adolescent, teenager, and young woman, Nora Ephron’s flicks taught me to demand more for myself out of life and love, and I would dare to say her rom coms stirred something far greater in me than any art-house film ever has.

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